瑞士巴塞尔艺术展览会（Art basel）是瑞士及欧洲最专业的艺术品及贸易展览会，每年一届，巴塞尔艺术展于瑞士国内规模最大及最重要的展览场地Messe basel举行，当中全新的展厅由国际知名的瑞士建筑师赫尔佐格及德梅隆（Herzog & de Meuron）设计。巴塞尔展会凝聚国际艺坛，每年皆展出来自250艺廊、4000位艺术家的创作。展会期间，每天皆设以艺坛发展为题的讲座。巴塞尔及邻近地区的各个文化机构亦设各式展览及项目，为访客带来精彩的艺术周。
巴塞尔艺术展视每一位对全球艺术界作出实质贡献的人士为重要的贵宾。贵宾名册由私人收藏家、艺术机构及博物馆领导人物、艺术策展人、艺术顾问和国际知名艺术家组成，每个名字共同缔造出巴塞尔艺术展在艺术界无可取代的地位。贵宾在展会期间获邀率先参与一系列专享节目，包括贵宾预展、优先导赏，以及全年在展会以外举行的各类型活动邀请。
巴塞尔艺术展深信艺廊在推广及发展视觉艺术上，扮演举足轻重的角色，并提供机会予不同类型的艺廊参展。参展的艺廊必须通过巴塞尔艺术展评选委员会的严格挑选，确保每一个展会都带来世界级水平的当代艺术作品。
巴塞尔艺术展与企业伙伴保持密切的合作关系，本着共同的抱负去创造国际顶级艺术交流平台及推动全球艺术界的发展。基于彼此对艺术的极致追求，使每个巴塞尔艺术展都有着超越往绩的动力，为展会增添活力。
伙伴专享待遇伙伴的支持对各类型文化活动尤其重要。巴塞尔艺术展的伙伴专享待遇涵盖品牌互动推广、伙伴的客户可参与展会的贵宾预展、享用会场贵宾室、读取独家展览信息及参与贵宾活动、推荐特邀贵宾名单、获享艺术发展或拓展项目的全年顾问及支持服务。与伙伴的长久合作关系，引证巴塞尔艺术展的团队竭诚及有效地为伙伴提供发展方案与策略，实现他们的目标。
巴塞尔艺术展的全球主要合作伙伴瑞银集团（UBS），多年来鼎力支持当代艺术，并拥有世上最优秀的当代艺术收藏之一。瑞银集团向来积极支持世界各地的当代艺术项目，如古根汉美术馆瑞银MAP全球艺术行动（Guggenheim UBS MAP Global Art Initiative），同时亦透过瑞银艺术中心（UBS Art Competence Center）、瑞银艺术论坛及新开发的当代艺术信息应用程序「Planet Art」致力提供艺术信息及远见。
此外，巴塞尔艺术展与瑞银集团发表首份《巴塞尔艺术展与瑞银集团环球艺术市场报告》。这份由著名作家Clare McAndrew博士名的年度研究报告，涵盖国际市场的每个环节，并胪列过去一年最重要的发展领域。
展品范围(Show Products):
画作、雕塑、绘画、装置、摄影作品、电影、录像及数码艺术等当代艺术。
展会报告(Show Reports):
Our basel fair brings the international artworld together. It features over 200 leading galleries and more than 4,000 artists from five continents. Many high-quality exhibitions take place concurrently in and around basel, creating a region-wide art week.
Art basel’s highly anticipated 2025 edition featured 289 leading international galleries from 42 countries and territories, once again serving as a hub for discovery and connection, and a driving force within the international art world.
The fair attracted an overall attendance of 88.000 throughout its preview and public days.
Maike Cruse, Director, Art basel in basel said: “This year’s edition of Art basel has demonstrated the enduring strength, resilience, and international reach of the global art market. We were delighted to welcome collectors, curators, and art lovers from around the world, and to see such strong presentations across all sectors of the fair. The energy in the halls and throughout the city was a powerful reminder of the role basel plays as a cultural meeting point and catalyst for artistic exchange.”
Christl Novakovic, Head UBS Global Wealth Management EMEA and Chair of the UBS Art Board, said: “Art basel in basel ignites the global art world as a vital meeting point. UBS has remained an enthusiastic partner of Art basel for over 30 years for many reasons. We can immerse ourselves in dynamic environments, fresh perspectives and creative forces that shape our world. We need the dialogue, curiosity and connection that Art basel provides more than ever. In basel this year, UBS again created spaces where art engages and inspires inside the halls and throughout the city.” As Global Lead Partner of Art basel, UBS returned to the 2025 edition of the fair.This year’s participation included Endless Possibilities: Geometric Abstraction, a presentation of works from the UBS Art Collection in the UBS Lounge, alongside a series of activations around the fair. UBS supported public programming throughout the Art basel week.
Prominent private collectors and art patrons from over 96 countries and territories across Europe, the Americas, Asia, the Middle East, and Africa were in attendance, including Switzerland, Germany, the USA, the UK, France, Italy, Belgium, China, the Netherlands, and Spain. We were also pleased to welcome private collectors and art patrons from a diverse range of other countries, including Azerbaijan, Bangladesh, Chile, Nicaragua, Nigeria, Tunisia, Uganda and Uzbekistan.
Representatives from over 250 world-class museums and foundations visited the show, underscoring Art basel in basel’s role in connecting the global art community, including: A4 Arts Foundation (South Africa), Art Gallery of ontario (Canada), Castello di Rivoli Museo d'Arte Contemporanea (Italy), Centre Pompidou (France), Collection Pinault (France), Denver Art Museum (USA), Fondation Louis Vuitton (France), Galleria Borghese (Italy), Groeningemuseum (Belgium), Guggenheim Abu Dhabi (UAE), Guggenheim Museum (USA), Istanbul Museum of Modern Art (Turkey), Kunsthaus Zürich (Switzerland), LACMA – Los Angeles County Museum of Art (USA), Leeum – Samsung Museum of Art (South Korea), Leopold Museum (Austria), Louisiana Museum of Modern Art (Denmark), Madre · museo d’arte contemporanea Donnaregina (Italy), MALBA – Museo de Arte Latinoamericano de Buenos Aires (Argentina), MAMCO – Musée d'art moderne et contemporain (Switzerland), M+ Museum (Hong Kong), The Metropolitan Museum of Art (USA), MoMA and MoMA PS1 (USA), Museo Jumex (Mexico), Museum Rietberg (Switzerland), National Gallery Singapore, Neue Nationalgalerie (Germany), New Museum (USA), Norval Foundation (South Africa), Palais de Tokyo (France), Palazzo Strozzi (Italy), Rijksmuseum (Netherlands), Serpentine Galleries (UK), SFMOMA – San Francisco Museum of Modern Art (USA), Städel Museum (Germany), Staatsgalerie Stuttgart (Germany), Tate (UK), Tel Aviv Museum of Art (Israel), The National Gallery (UK), Watari-um – The Watari Museum of Contemporary Art (Japan), Whitney Museum of American Art (USA), Yuz Museum (China), and Zeitz MOCAA – Museum of Contemporary Art Africa (South Africa).
Exhibitors reported strong sales across all market segments and show sectors, with standout placements including David Hockney’s Mid November Tunnel, Ruth Asawa’s hanging sculpture, Gerhard Richter, Keith Haring, and Mark Bradford. Works by leading female artists also saw major success, including Cecilia Vicuña, Loie Hollowell, and Alina Szapocznikow, with strong institutional acquisitions and momentum for first-time exhibitors.
